"Luisa Morales's recording on the Kirckman is excellent. This is a particularly fascinating

recording… Morales uses the resources of the Kirckman extremely intelligently, and the contrasts of colour and volume work with the music rather than imposing on it. Morales has an obvious affinity with this music, and an impressive technical command of all the virtuoso elements of these sonatas.” (Early Music, Oxford University Press).

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"Luisa Morales playing has tremendous forward drive, particularly effective in the Soler which never palls here…Morales makes full use of the Kirckman's broad palette of colours…giving full rein to its extrovert personality, which suits her choice of sonatas admirably, particularly, those of Soler". (Early Music Review, London).

"Luisa Morales took no prisoners over the course of her extraordinary performance. The clarity of her articulation was breath-taking, no matter the tempo. I am always impressed by crossed hands playing, often a feature of Scarlatti. Morales' boarding house reach across her arms was stunning – and often at a fast clip! Her registrations and her tone were superb. This was a splendid evening of wonderful musicianship!" (CVNC, Arts Journal of North Carolina).

 

"There was certainly no participant who did not thrill to the recital of 18 th century Spanish music by Luisa Morales on original instruments…Interest was even heightened when she was joined at the conclusion by dancer Cristobal Salvador who employed traditional folk dance steps plus castanets while Luisa played Scarlatti Sonatas.

(Historical Keyboard Society Newsletter , USA)".